Chroma at the Royal Ballet - the Boston version may actually be a bit better danced!
The two current "must-sees" of the Boston cultural scene are The Flying Dutchman (at Boston Lyric Opera, see review below), and Wayne McGregor's Chroma (above) at Boston Ballet. Chroma is all jagged, up-to-the-minute postmodern viscera, set to a strikingly sophisticated (though pounding) score by Joby Talbot and Jack White of the White Stripes (with orchestrations by Christopher Austin). I promise you it will be the most-discussed dance of the season; and what's more, it's set in a program of Balanchine classics (Serenade and Symphony in C) whose austere lyricism somehow brilliantly sets off McGregor's extremities. Full review to follow - but don't wait.