Friday, May 30, 2008
Above is the climax of the famous Mark Morris staging of Purcell's Dido and Aeneas, which electrified Boston (and yours truly) when it opened here way back in 1989. Well, Dido is back, only this time Morris is in the pit, conducting, rather than on stage. But will it be as compelling as everyone remembers it sans Mark? Clearly it will no longer be a statement about gay identity - but its inspired mix of dance and mime may prove all the more enduring without that political context. You can decide for yourself at the Cutler Majestic through Sunday. Tickets and more information available here.